“With/out borders” on the expat+HAREM

Dear Readers,

I have a new post featured on one of my favourite sites, the expat+HAREM, for the next week. The piece examines whether living a border-free hybrid life contributes to porous personal boundaries.

Please stop by their lovely space to check it out and leave a comment if the spirit moves you.

All the best,

Sezin

Whites Only?

Announcing HYBRID AMBASSADORS: a blog-ring project of Dialogue2010 You met our multinational cultural innovators this spring in a roundtable discussion of hybrid life at expat+HAREM. Now in these interconnected blog posts some of them share reactions to a recent polarizing book promotion at the writing network SheWrites. Join the discussion on Twitter using #HybridAmbassadors or #Dialogue2010.

'Nuff said.

Driving through ghost towns in South Dakota were the remnants of “No Indians Allowed” signs displayed larger than the names of the taverns themselves. Photographs I’ve seen of “Whites Only” or “Colored Toilets This Way” invoke disgust, shame, horror, and rage. The Civil Rights Movement paved the way for new paradigms of seeing beyond the racial divides that upheld the USAs racist and genocidal past. Or did it?

A recent post on She Writes by an African-American woman calling for “White Ambassadors To Help Me Cross Over” shocked and troubled me on so many levels. During my participation in the forum I found myself alternating between a 1950s time warp where the world is seen in black and white, and a 1980s politically correct experiment gone horribly wrong. White supporters came out of the woodwork, promising to buy the author’s book and vowing to spread the word to their white friends. The only white woman to mention how inappropriately the discussion had been framed from a cultural standpoint was called “uncivil” (translation: “racist”). The few women of color who challenged the author’s assumptions and methods, myself included, were met with high levels of anger and quiet shows of support.

I’ve experienced my fair share of discrimination in my life, and multiple levels of it seeing that I am a product of a biracial union. Never once in all my years as a woman of color has it ever occurred to me that I would need “white ambassadors” for my work.

The truth is, I don’t. You don’t. Nobody does.

The only ambassadors we need for our work are those who believe in us, those who know we have an important story to tell, people who are truly interested in what is under our tale’s surface. People, plain and simple.

Call me naive, if you want. I know I am not. I am a realist.

Any intelligent consumer of books looks past the superficial details of the author and goes straight to the story. If the story doesn’t interest a reader then how will targeting racial groups be of any benefit? Any online social networker knows that you cannot expect people to spread the word about your work without excerpts, without engaging in a blog, without dialogue.

The more I reflect on the discussion at She Writes the more I am convinced that the blog post was conceived in an effort to poke at white American guilt. Reading through the comments I see how insidiously and effectively the post has bullied a great number of white women to agreeably engage so as not to be seen as racist.

The organisation of She Writes itself is even promoting the book since this discussion took place, and let me add that to date there is not a single excerpt of the book available.

If organisations of women writers, an already marginalised group, are reproducing these racist publishing house stereotypes in promoting books based on the race of the author and not the merit of the story, then I fear the worst for all of us with stories to tell.

During the 2008 elections in the USA the polling companies predicted that Obama would win by a huge landslide. He won, yes, but not by the landslide everyone had thought. Why? Because in the wake of America’s fears of being seen as politically correct, nobody wanted to admit they weren’t voting for the black man. Behind those voting curtains, away from prying eyes and the risk of judgment, those people placed their vote elsewhere. The fear of being perceived as a racist, especially in so-called liberal communities, is a great one and clearly She Writes has also fallen prey to this phenomenon.

I wonder how many of the women in that She Writes forum will *actually* buy and read the book that was so heavy-handedly pushed onto whites only.

As for me, I don’t buy, read, or promote books by people who not only alienate me based on the color of my skin, but who also lump the huge diversity of society into constricted boxes.

In this day and age there is no place in this world for whites only.

©2010 Sezin Koehler

More thoughts on this subject from fellow HYBRID AMBASSADORS:
Rose Deniz’s Voice Lessons from a Hybrid Ambassador
Anastasia Ashman’s Great White People Book Club
Catherine Yiğit’s Special-ism
Tara Lutman Agacayak’s Circles
Catherine Bayar’s Thicker Skin
Judith van Praag’s We Write History Today
Elmira Bayrasli’s The Color of Writing
Jocelyn Eikenburg’s
The Problem with “Chinese Food”

Surround Yourself With Women – The Unedited Version

a guest post by Yancy Jack Berns.

Surrounded by women

Men and women became lovers too fast. They should have been friends first. That way, they could have realized that, despite the good times, they just weren’t right for each other. We two sexes inhabit this world like an unhappy couple jammed in an apartment, stuck with each other for the children’s sake. If square sex wasn’t fun, we’d probably live on separate continents by now.

It seems beyond any doubt that women are the champs of the human race, the prize winners, the evolutionary pinnacle. And yet my graceless brethren and I have the women of the world in a glass box, from which they can only watch in horror as we clumsily tear the world down around us. Drill baby drill, indeed.

How exactly did this happen? How did the insane sex get to be in charge? And make no mistake, we are insane, fundamentally. In fact, we men are lucky there’s not a third sex. That’s basically how men can get away with being such a boring lot – because women have no real other choice. We are the bearers of the seed, so if you women want to keep the species afloat, you better at least pretend to think farts are funny. I mean like real ones, in bed, next to you.

As a young man, I have a vivid memory of walking into my 3rd grade classroom and being randomly subjected to a vicious ten-kid pile on. Out of nowhere, some mad pack of young men I did not know decided to terrify me with a surprise assault, burying me totally. Knowing already that mercy finds no perch in little boys, I figured I was done for. There in the squirming abyss, as it were, I think I first realized that men are very confused, even tragically so.

The notion that men are encouraged to ignore the softness within is an old one, so hoary now that some dismiss it as a “boring old idea”, which seems rather beside the point if we can still so clearly define things that “guys” should (football, porno) and should not (Barbra Streisand, romance) like, and if men still most comfortably show “affection” by punching and humiliating each other. This is all clearly insane, a twisted perversion of some long-forgotten ideal.

It is, in fact, an unchanged truth that most of us “guys” are raised by the media to fear open emotion and sadness, and to ignore any bruising of the soul. And because we are in charge and don’t care much about women when it comes right down to it (beyond the obvious), young women are ironically allowed to develop as normal earthlings who get scared, giddily happy, openly sad, whatever – while men have to pretend to be some entirely other creature who gets excited about new nicknames for beer and movies based on toys we broke when we were 11. So, consequently, unguarded humanness becomes the province of women, the sex that isn’t in charge, and you can see how we might have a problem. (But seriously: women are smarter than us, more intuitive, live longer, and have more skill in dealing with emotion. How did the brutes get the wheel?)

This mad plan of ours, then, continues to produce a flood of samey-sort fellas who can only stand around and punch each other hard in the upper arm to prove they’re not girls. Add in the end-times marker that American men are now encouraged to remain in adolescence until they are dead, and we end up with a dysfunctional species. We have on one side a massive and twisted He-Man Women-Haters club full of “bros”, “brougheems”, and the dreaded “brahs” – and on the other side, women getting very bored and, I imagine, eyeing plans for general escape.

But, hard as it is for me to do so, I can’t help but feel sympathy for the barking slobs that represent my sex. Men have been driven insane, I think, by this stifling of their essential humanity, by this inorganic desire to be always riding off to war. It only hurts matters that such feelings of softness have become hallmarks of the gay male community, further driving the “bros vs hos” crowd into their evolutionary dead-end.

I stick with women. Makes sense to me. If I like having a woman sitting next to me, why not also enjoy having the ghost of the woman I almost was within me? Again, makes sense to me. I try to surround myself with as many women as possible, beyond just any significant other or mate, and that’s my advice to any like-minded men out there. Carpet your life, end-to-end, with the fairer sex. And I’m not talking conquests. I’m talking about lighting incense, seeing to their comfort, and being an all-around acolyte.

I can breathe easier in a roomful of women, even as I know that these women might regard me with amusement as a strange freak of nature, and I’m fine with that: I’m a straight male who doesn’t spend much time on sports, deeply appreciates film musicals, and yet still gets an erection when fixing a plugged drain.

But I’ll always be a guy, as I am still sadly dogged by the unavoidably male conclusion that the only way to fully know or appreciate a woman is to bed her, and that if you haven’t bedded her you can never know her. It is a madness that I can’t shake, and I wasn’t even in a fraternity.

So I’ll return to my opening metaphor: the two sexes, forced together in a shotgun wedding of epic proportions, charged with the continuance of the species and the ruling of the earth, and yet all the while not really being right for each other. Sure, women have learned to force themselves to like football and choke-sex porn to attract a mate; and sure, men, somewhere within that collapsing brow, realize that we’re missing a big part of this picture. So if the Mayans were correct about 2012, and the big divorce is coming, then at least it can be said that we each grew during our time together, which is I suppose is runner-up to happily ever after.

©2010 Yancy Jack Berns.
Yancy is a writer living in Los Angeles.
An edited version of this piece was published on the Women’s Conference website.

A Love Letter To Beloved Dead

Written on a postcard shaped with tears and sadness:

You and I
This ache
Phantom soul
I want to embrace.

Where you have left your indelible mark on me:
July 29, 2010
Prague, Thoiry, Los Angeles, Seville, Pine Ridge, etc.
Visit soon, won’t you please?

©Sezin Koehler, inspired by Catherine Yiğit‘s “Death at a distance

This Is What My Blog Looks Like On Writer’s Block:

*Le sigh*

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The Cobblers

The work of a Prague Cobbler.

Zuzu narrates a strange Prague encounter with creatures she calls Cobblers.

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The Healing Power of Horror

From MARTYRS to AMERICAN MONSTERS to psychological methods of trauma healing to Toni Morrison’s Beloved to Cold Case while discussing the healing powers of horror stories. (But no Lady Gaga this time :-)

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On Dreams, Suffering and the French Film MARTYRS

I was reminded of a strange dream I had a few years ago after recently watching the brilliant French film MARTYRS, and of course also manage to tie this back to Lady Gaga. ;-)

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Self-Referentiality: Internal monologue turned external dialogue

What do the expat+HAREM, Dialogue 2010 and Lady Gaga have in common?

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Intertextuality and Irony in Lady Gaga’s PAPARAZZI

My submission for this week’s www.RedRoom.com themed blog competition on “What is your favorite pop song?”

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On homosociality, American masculinties, and violence against women in DEADGIRL

Delving back into my much-loved world of cultural anthropology via the horror film “Deadgirl” and its social significance.

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The Assasination Of Marilyn Monroe

My review of the tragic “Assassination Of Marilyn Monroe”.

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Portrait of A Killer

A review of Patricia Cornwell’s phenomenal forensic study “Portrait of a Killer: Jack The Ripper Case Closed”

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On Angels, Demons and Living Paradoxically

My friend Vesper’s amazing blog post inspires me to consider my thoughts on good, evil and other things in between.

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Why?

An explosive encounter with a racist Czech granny prompts me to once again consider why it is I continue to live in Prague.

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Transitions Abroad Essay Competition Winner

Dear Readers, Just a quick note to let you know that the essay I wrote about life in Prague as an expat placed as a runner-up winner in the Transitions Abroad essay competition. The article, Living in Prague as an Expat: The Times They Are a-Changin', will be on their website for the next ...

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Welcome
to the self-hosted www.Sezin.org for the first time since 2003! Before there was this thing called a "blog" Sezin was writing reports on indigenous issues at the UN in Geneva and publishing them on free websites. Here you'll find the archive of all her old and new writings, as well as a whole lot more. Currently Sezin mainly writes about horror and being a Third Culture Kid/expat. Enjoy your browsing!
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