“Ultimately, the term ‘East Indian’ is a remnant of archaic geopolitical Eurocentric positioning and shouldn’t be used at all in a modern context, unless you are talking about people from the eastern part of India. To use it in any other context is playing to Orientalist — and yes, racist — othering of not only people from India, but also Native American populations throughout North America who shouldn’t still be called ‘Indian’ at all.” For Wear Your Voice Mag, Jan 2017.
“There’s nothing like being from a country still suffering from the trauma and repercussions of a long and drawn-out civil war and then hearing from a white male travel writer that everything is hunky-dory now and people should start visiting the country again.” For Wear Your Voice Mag, January 2017.
“What The 100 was telling me, on no uncertain terms, is that an ethnicity that makes up one of the Earth’s most populous regions did not survive into the far future. What in the actual fuck.
Stopped in my tracks, I started thinking about all the different dystopian stories I’ve watched over the years, to realize over and over again that South Asians often don’t exist in the future. We’ve been erased.”
For Wear Your Voice Mag, December 2016.
“Piyali Bhattacharya’s Good Girls Marry Doctors: South Asian Daughters on Obedience and Rebellion was the book I had been waiting to read my entire life. Finally, a book about us. A book that represents us. Us South Asian American sisters who straddled multiple worlds and did our best to find a balance that most of the time was always going to be just out of reach.” For Wear Your Voice Mag, October 2016.
“It started out like any average evening, me scrolling through my Netflix queue to see what was expiring soon: Sophie Fiennes’ 2012 documentary A Pervert’s Guide to Ideology featuring Slavoj Žižek, my first introduction to the man and his brilliant mind. For the next 2 hours and 24 minutes I experienced the growing pains of my entire worldview shifting, and when my ideological tectonics stopped quaking I turned to a horror movie for some entertaining release. But no horror movie, or any movie again, would ever be the same after this introductory encounter with Dr. Žižek. And so, alternating between Chills City and Fever Town, I wrote the following.” For The Mary Sue, September 2016.